Need for cultural pride - Revival
Rizwan Salim
Publication: The Hindustan Times
Date: September 20, 1998
http://www.hvk.org/articles/0998/0045.html
India's
social problem--rampant corruption to exploding population--can disappear and
the nation can become great almost overnight if most Indians, especially the
people on top in every domain of activity, are made to undergo just one mental
transformation: Acquiring intense cultural pride. Yes, vigorous cultural pride
has the power to create great individuals and great nations. Intense and
well-informed cultural pride can be a very strong force animating ancient
historical civilisations such as India. A people, if intoxicated enough with
arrogant pride in
their history and culture, can go on to achieve greater glory. The Japanese and
the Chinese, the French and the Germans possess
a surfeit of cultural pride-and a sense of cultural superiority. Consider their
achievements over the centuries and in recent decades.
Given
the reality that Hindustan is the longest surviving ancient civilisation and
Hindus have to their credit so many unccountable and such astonishing
achievements of architecture and painting. music and dance, poetry and drama.
epics and narratives, intellectual systems and philosophical doctrines, healing
systems and mind-body disciplines, Hindus of every caste and class today should
have possessed a well-informed and well-developed, intense and, fully conscious
cultural pride. But one of the principal tragedies of contemporary India is that
the majority of even the educated and otherwise affluent Hindus do not possess a
deep and extensive knowledge of their culture-and do not give evidence of an
intensely felt cultural pride.
From
the earliest surviving Gupta period temples of the fifth century
to the grand Moghul monuments and Rajput palaces, Hindustan has more than a
thousand year old tradition of stunningly beautiful and awe-inspiring
architecture. Yet so lacking in cultural pride have Indian architects been, that
after 1950 they eagerly adopted the European Leftwing architects' Bauhaus style,
the architecture of ugly concrete boxes. Now they
slavishly follow the currently fashionable West "Post-Modern" style
that developed out of the Bauhaus. There has been no authentic Indian
architecture now, structures replicating shapes and forms, motifs and decorative
elements of ancient Hindu temple and Moghul and Rajput palace art.
India's
English as well as regional language novel writers who grew to literary maturity
after 1950, had they absorbed the Hindustani cultural tradition in depth and
were ambitious for their talent could have written authentic Indian novels that
would have been ranked, in time, with the best and most enduring of the British
and American, German and Russian fiction-so overwhelmingly varied is India's
human reality and so much
potential has Indian life for engendering great novels.
Mentally
crippled by their own feelings of cultural inferiority, India's novel writers
(in English mainly but also in the regional languages) slavishly follow the
Leftist-invented style of writing and themes of the contemporary Anglo-American
fiction writing, the most degenerate school in the history of European letters.
Western Leftists favour novels with amoral, inhuman and anti-heroic themes
expressed in ungrammatical and fractured language. Beautiful prose is repugnant
to ideological Leftists.
So
complete is the alienation of India's English language fiction writers from
their own culture, they seem incapable of creating emotionally satisfying and
deeply pleasurable novels. They write fiction to please
influential Leftwing book critics in England and America, not those with good
literary tastes at home and abroad. There is nothing genuinely Indian in so many
of these "Made for Export" novels.
Lacking
profound cultural knowledge and intense cultural pride, India's intellectuals
regard the fashionable ideas and ideologies >from Europe and America as
unquestionably superior to Bharat's thousands of years old Hindu culture and
wisdom. Following the West's dictates in domains ranging from polity to
economics, jurisprudence to genetics policy, India's intellectuals do not bother
to find out if there might not be ideas and insights in ancient Hindu
philosophy, intellectual systems and texts better than the West's. Why must we
always let some American or German
argue, for example, that the Mahabharata is as good a guide for a modem business
manager and a politician as compared to an ancient
Hindu king? There is no authentic Indian response to the intellectual questions
and moral dilemmas of the modem world. There is no genuinely Indian view of
world events and trends today. India's politicians in power over the years
evidently have never felt a surge of cultural pride to create university
programmes and institutions where Bharat's culture, texts and tradition can be
rigorously and exhaustively studied to the highest international academic
standards. Hindustan does not have enough institutions for the scholarly study
of Hindu culture. The
institutions that do exist are not of the first rank because they were never
generously funded (by government or philanthropists)
to do excellent work. There are not very many scholars of high ability and
international reputation in India today who illuminate Hindu culture and Hindus'
past great accomplishments. It is an embarrassing truth that the best
Indologists are found in the Netherlands and Sweden, Germany and France, Japan
and Italy-not in Delhi and Ujjain, Varanasi and Puri, Madurai and
Mysore.
India's
big city universities do have resident scholars doing dedicated research in
humanities. Instead of educating us - and the world-about the profundity and the
originality of Hindu thought, and the imaginative power of Hindu arts, they
prefer to research with great seriousness works of second rate intellectual
system builders and third rate writers and poets of Europe and America.
An
intense cultural pride follows from an intense cultural consciousness: A
powerful attraction to one's own culture and cultural practices. An intense
cultural consciousness is not evident in most
Indian
men and women Performances of India's classical dances and drama, instrumental
and vocal music are not as widely held or well-attended as would have happened
had a strong interest in the nation's refined culture of temples and royal
courts existed among most Indians. Cultural pride also means guarding against
any loss of the culture's vitality. A number of energetic and powerfully
affecting village and tribal folk art forms, including festivals and rituals,
customs and ceremonies, dances and drama, music, and songs, jatras and trance
induction techniques are on the verge of extinction (or have vanished already)
from all over the country. There is no extensive and focused national effort to
prevent the disappearance of the very vital folk tradition of Hindustan.
Indian
society very urgently needs a class of brilliant culture leaders: Men and women
who possess a deep knowledge of Hindu culture and the subcontinent's history;
who have insights into what is imaginative and profound, what is worth
preserving in our culture. These self-chosen culture leaders should go around
the country, giving lucid but forceful orations, educating the people about the
great qualities of their culture and creating a robust cultural consciousness in
the majority.
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